It is always a thrill to see a favorite project published. This labor of love with longtime clients was recently published in one of my favorite publications, Atlanta Home & Lifestyles. The Atlanta design community is near and dear to my heart. Not only did I grow up there, but I also went to design school in Atlanta and began my design career there. Many of the items featured were sourced through the Atlanta Decorative Arts Center and made their way through previous homes for these dear clients before ultimately landing in Washington, D.C.
I am obsessed with details. Finishing touches such as the trim on a drapery panel to how a work of art is framed can make or break the overall design. As a self professed art addict, I especially love working with clients, artists and my local framer to showcase the works of art to make them shine.
Later this month, I head to Las Vegas (my virgin voyage!) to attend the West Coast Art & Frame Expo as part of a Design Blogger Tour organized by Steve and Jill McKenzie. We will be seeing the latest and greatest introductions in framing as well as a variety of new forms of art reproduction.
See below for some works from my personal collection and client portfolio on how the variety of framing elevates the art.
A client’s colorful interior in Birmingham features large-scale works on paper by Windy O’Connor. The champagne toned metal frame pulls out the brushstrokes in the painting and still anchors the space. Dark oil rubbed bronze picture lights tie in with the stair rail and door hardware. A bold 19th century rug brings out the orange in the paintings and introduces the palette for the house.
In my library, a commission by Favorite artist Amanda Talley through Hidell Brooks Gallery provides a a focal point for the fireplace wall. A dark floater frame punctuates the darker strokes in the painting. The interior of the bookcases are painted to repeat this color.
This is the beginning of a gallery wall in my living room. A variety of watercolors and small paintings collected from our travels tells the story of our treasured memories. The wall has grown and been rearranged to include other paintings seen here…
A contemporary collageby Brad Thomas is placed in a gilded frame with a block motif to play off of the curves in the artwork. The work is floating on a linen mat in order the appreciate the intricate detailing and writing along the edges of the work.
Several of my favorite works have been found through Gillian Bryce who shows at 214 Modern Vintage in High Point as well as Scott’s Antique Market in Atlanta. This oil painting by Bernard Segal is in a vintage gilt frame and enhanced with a linen mat and fillet to make the work larger. The empty space of the linen mat gives the viewer a chance to appreciate the small compact bursts of color in the painting.
Another work by Bernard Segal, this is one of a pair of watercolors. I framed the works in a simple gold frame which pulls out the gold in the painting and floated them on a linen mat in order to appreciate the deckled edge of the paper.
A “pile” by Selena Beaudry (also through Hidell Brooks) is floating on a white backdrop and framed in a deep modern white frame giving the work a shadowbox effect. Our dirty pink entry hall walls enhance the pinks found in the watercolor.
One of my prized possession is an interior rendering by the Dean of American Design, Albert Hadley. A charcoal mat enhanced his pencil rendering and make it extra special.
I found this abstract encaustic at the Marche Biron in Paris. Maurice Morel came to Paris in 1927 to pursue his double vocation of artist and priest. He found a mentor in Artist-Poet Max Jacob, a Jewish convert to Catholicism, who was a close friend of Pablo Picasso and other artistic-literary notables of the period. In 1933, Morel helped stage a ground-breaking sacred art exhibition, Art Moderne d’inspiration religieuse, which included works by Picasso, Andre Derain, Tsuguhara Foujita, and Georges Rouault, who would become the priest’s lifelong friend and supporter. I fell in love not only with the work, but in the way it was framed….a frame within a frame. An ingenious way to add importance to a special work.
The starting point for the entire design scheme was this pastel confection by Kate Long Stevenson at the beloved “Pink House,” a center for breast cancer survivors herein Charlotte. She donated the work in honor of her friend. Again, we used a floater frame to set off the painting from the brick backdrop while pulling out some of the darker tones in the painting.
Be sure to follow along as we take in the sights of Vegas with my fellow design blogtour pals… Holly Phillips of The English Room, Tami Ramsay and Krista Nye Schwartz of Cloth & Kind and Vicki Bolick of The Ace of Space. We cannot wait!