I am obsessed with details. Finishing touches such as the trim on a drapery panel to how a work of art is framed can make or break the overall design. As a self professed art addict, I especially love working with clients, artists and my local framer to showcase the works of art to make them shine.
Later this month, I head to Las Vegas (my virgin voyage!) to attend the West Coast Art & Frame Expo as part of a Design Blogger Tour organized by Steve and Jill McKenzie. We will be seeing the latest and greatest introductions in framing as well as a variety of new forms of art reproduction.
See below for some works from my personal collection and client portfolio on how the variety of framing elevates the art.
A client’s colorful interior in Birmingham features large-scale works on paper by Windy O’Connor. The champagne toned metal frame pulls out the brushstrokes in the painting and still anchors the space. Dark oil rubbed bronze picture lights tie in with the stair rail and door hardware. A bold 19th century rug brings out the orange in the paintings and introduces the palette for the house.
In my library, a commission by Favorite artist Amanda Talley through Hidell Brooks Gallery provides a a focal point for the fireplace wall. A dark floater frame punctuates the darker strokes in the painting. The interior of the bookcases are painted to repeat this color.
This is the beginning of a gallery wall in my living room. A variety of watercolors and small paintings collected from our travels tells the story of our treasured memories. The wall has grown and been rearranged to include other paintings seen here…
A contemporary collageby Brad Thomas is placed in a gilded frame with a block motif to play off of the curves in the artwork. The work is floating on a linen mat in order the appreciate the intricate detailing and writing along the edges of the work.
Several of my favorite works have been found through Gillian Bryce who shows at 214 Modern Vintage in High Point as well as Scott’s Antique Market in Atlanta. This oil painting by Bernard Segal is in a vintage gilt frame and enhanced with a linen mat and fillet to make the work larger. The empty space of the linen mat gives the viewer a chance to appreciate the small compact bursts of color in the painting.
Another work by Bernard Segal, this is one of a pair of watercolors. I framed the works in a simple gold frame which pulls out the gold in the painting and floated them on a linen mat in order to appreciate the deckled edge of the paper.
A “pile” by Selena Beaudry (also through Hidell Brooks) is floating on a white backdrop and framed in a deep modern white frame giving the work a shadowbox effect. Our dirty pink entry hall walls enhance the pinks found in the watercolor.
One of my prized possession is an interior rendering by the Dean of American Design, Albert Hadley. A charcoal mat enhanced his pencil rendering and make it extra special.
I found this abstract encaustic at the Marche Biron in Paris. Maurice Morel came to Paris in 1927 to pursue his double vocation of artist and priest. He found a mentor in Artist-Poet Max Jacob, a Jewish convert to Catholicism, who was a close friend of Pablo Picasso and other artistic-literary notables of the period. In 1933, Morel helped stage a ground-breaking sacred art exhibition, Art Moderne d’inspiration religieuse, which included works by Picasso, Andre Derain, Tsuguhara Foujita, and Georges Rouault, who would become the priest’s lifelong friend and supporter. I fell in love not only with the work, but in the way it was framed….a frame within a frame. An ingenious way to add importance to a special work.
The starting point for the entire design scheme was this pastel confection by Kate Long Stevenson at the beloved “Pink House,” a center for breast cancer survivors herein Charlotte. She donated the work in honor of her friend. Again, we used a floater frame to set off the painting from the brick backdrop while pulling out some of the darker tones in the painting.
Be sure to follow along as we take in the sights of Vegas with my fellow design blogtour pals… Holly Phillips of The English Room, Tami Ramsay and Krista Nye Schwartz of Cloth & Kind and Vicki Bolick of The Ace of Space. We cannot wait!
The A-Ha moment is one of clarity. It is a defining moment when you gain real wisdom that can be used to change your life. This moment can be inspiring, surprising, original, deeply personal and worth sharing. It often arises when there is an obstacle that needs to be turned into an opportunity.
Last week at Blogfest 2012, the editors from House Beautiful encouraged us to share an A-Ha moment from our design work. Up and coming designers Michael Herold, Jill Goldberg, and John Call shared their A-Ha moments with the group and challenged us to do the same.
My A-Ha moment came while working on the Pink House, a unique respite for breast cancer survivors and the Carolina Breast Friends organization. The Pink House serves breast cancer survivors in numerous ways: Wellness Education, Library and Computer Research Center, Fitness and Nutrition Centers, Self-Image Services, Arts & Crafts Workshops, and Counseling Services.
When I first saw the house, it was a beautiful historic home that had recently been renovated, but there were no funds to furnish the interior. What seemed like an insurmountable obstacle at the time turned into the most wonderful and fulfilling opportunity.
|The Living Room
Upholstery from Charles Stewart
|The Living Room
Accessories donated by Circa Interiors and Antiques
The organization wanted us to create a sophisticated, calming and feminine atmosphere. This was a haven where women would come together for fellowship, support and inspiration.
|The Living Room
Re-upholstery donated by Design Services, Inc.
Albert Hadley said, “Decorating is not about making stage sets,…it’s really about creating a quality of life, a beauty that nourishes the soul.” We wanted the survivors that entered this space to feel like their spirits had been lifted and their souls nourished.
|Painting donated by Kate Long Stevenson
in honor of her friend Neil Maddux Miller
We found several pieces at local flea markets and tag sales. With some refinishing, new paint and re- upholstery, we were able to turn others people’s cast off furnishings into beautiful pieces for the Pink House.
Window Treatments donated by
Custom Window Treatments
|The Sun Room
Carpet donated by Stark
When we first began this project, I honestly did not know if we would be able to pull it together. We had several different rooms that needed to flow together along with random assortment of found items and upholstery that needed some unifying element. I finally understood the expression “making a silk purse out of a sow’s ear!” Fortunately, we ended up with our A-Ha moment and we were all thrilled with the final product.
Renovations donated by J.E. Dunn Construction
|Yours truly with Newell Turner, Editor in Chief of House Beautiful
and Beth Greene, Executive Vice President of Marketing and Strategic Branding
for Kravet, Lee Jofa and Brusnchwig & Fils