Posts Tagged: The New Gallery of Modern Art

FINAL CALL: ATLANTA HOME & LIFESTYLES SOUTHEASTERN SHOWHOUSE CLOSING WEEKEND AND SALE

It is hard to believe this is the closing weekend of the Southeastern Showhouse & Gardens presented by Atlanta Home and Lifestyles Magazine.  Many thanks to all who have come to see the showhouse filled with so much amazing talent. I will be at the house tomorrow from 1-4 for the final day for anyone who wants to pop in to say hello!

I have had many inquiries about items available in our space. Showhouses provide an amazing source to get incredible high end pieces, custom furniture, art and antiques…many of which are priced well below what they would sell for on the showroom floor.  So, if you see something that catches your eye, make sure to look at the price list in each room to see what is still available. You might find the perfect Mother’s Day gift! 

ART WITH HEART: ATLANTA HOME & LIFESTYLES SOUTHEASTERN DESIGNER SHOWHOUSE & GARDENS

“Art washes away from the soul the dust of everyday life.” -Pablo Picasso

I think original art is one of the MOST important design elements in an interior. It reveals the personality of the inhabitant, elevates the other surrounding items, and adds a magical dimension to any room. Working on the art for the Southeastern Showhouse was a dream come true. Two of my favorite artists, Brad Thomas and Alexis Walter created works specifically for my spaces and my favorite Charlotte galleries, The New Gallery of Modern Art, Hidell Brooks Gallery, and SOCO Gallery allowed me to curate my own dream installation from the artists they represent, many of whom have become friends. The majority of works are by Southern contemporary artists with a nod to my NYC days represented by Stephanie Hirsch and Scott Duce seen below. By playing with scale, unifying colors, and juxtaposing different mediums, I tried to create harmonious compositions throughout the spaces.

ANTHROSCENERY: AURORA ROBSON AT THE NEW GALLERY OF MODERN ART

Perhaps it is the English major in me, but I have always been drawn to works of art that incorporate words. The use of language in art to evoke certain emotions can be incredibly powerful and subjective to the viewer. Since everyone has different feeling or connotations of words, using text forces the viewer to reflect. From the medieval illuminated manuscripts to the contemporary works of Mel Bochner and Barbara Kruger, text and art have been intertwined for centuries proving the power of language in art.

I was delighted to see the new works at The New Gallery of Modern Art of Aurora Robson that combine both abstract art with wordplay to express her viewpoint on the state of humanity and the environment today.

THE NEW GALLERY OF MODERN ART PRESENTS LUXURY BY STEPHEN WILSON


When you enter the world of Stephen Wilson’s studio, it is like stepping into a contemporary art factory. The tools he uses to create his intricate works are perfect merger of technology and his creativity. he says that “The medium is the message.” He uses fabric, thread, sculptural 3D printing, laser engraving, and painting to create his unique pieces. Each line and element is created with thread on top of luxurious fabrics. Some of his pieces contain millions of embroidery stitches and take hundreds of hours to create. Fashion influence is prevalent in his pieces. The fabrics used include Hermès silk, Chanel wool, fabrics by Marc Jacobs, Oscar De La Renta, Vera Wang, Ralph Lauren, Versace, Dolce & Gabanna, and Brunello Cucinelli. He is influenced by contemporary art, pop art, street art, graffiti, and iconography, as well as traditional quilting and handicrafts. 

THE NEW GALLERY OF MODERN ART PRESENTS STEPHANIE HIRSCH: AFTER THE STORM

One of my favorite galleries in Charlotte is The New Gallery of Modern Art.  I love director Irina Toshkova’s eye and the exciting artists and exhibitions she brings to town. I cannot wait to see the exhibition opening this evening “After the Storm” featuring works by Stephanie Hirsch. I am always drawn to works of art that reveal the intricacy of detailed work such as textile art, embroidery and beading. My husband often refers to me as “annoyingly optimistic” and these works totally resonated with my “glass half full” perspective on life….even when the glass is pretty empty. I loved this quote from the press release, “Taking the ups and downs of life, and seeing the usefulness in both, her words are informed by the universal life occurrences of being a mother, maintaining a career, and pursuing happiness in it all.”

THE WORLDS OF HUNT SLONEM AT THE NEW GALLERY OF MODERN ART

“What appeals to me most is their mystical quality. In my childhood, I was enchanted by the White Rabbit who leads Alice down a rabbit hole into Wonderland in an altered state. That’s always been important to me, the idea of altered states. When I am painting, I sometimes feel as though I am somewhere else, observing reality from an outside perspective.” -Hunt Slonem on “Bunnies”

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The New Gallery of Modern Art, Reception Tonight from 5-8PM

The New Gallery of Modern Art is celebrating their fifth anniversary this evening with a champagne reception, exhibition, and book signing by the one and only Hunt Slonem. I literally fell down the rabbit hole with his latest book on his beloved bunnies. Hopping from page to page in the book, the bunnies each have their own persona with delightful names such as Serge, Tatiana, Goldie, Harvey and Ted. His fascination with these creatures began at a Chinese restaurant when he discovered he was born in the Year of the Rabbit. He identified with the compassionate nature of the creatures, and uses them as subjects for his morning “warm-ups,” an exercise that was inspired by abstract expressionist Hans Hoffman.  Hoffman would begin each day by doing a series of small paintings.  Hoffman painted abstractions, Slonem paint rabbits. He often repeats imagery in this series, as he finds the act to be similar to spiritual meditation. Slonem believes that “repetition is very important” and begins each day painting, treating each moment as one of profound meditation and channeling of God or a higher consciousness. To date, his bunny paintings remain a part of his morning ritual, as well as a pivotal theme in his artwork.

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Slonem’s work has been compared to the likes of Willem DeKooning, Franz Kline and Brice Marden. In his essay Quantum Lepus, curator Bruce Helander writes,” The humble pleasure offered by these minimal but accurate portrayals of a hare to a harem is that they are lovely to look at. The initial development and completion of a characteristic Slonem bunny is really quite basic, and is the secret to their spontaneity and ultimate success; his instinctive painting can be connected to the lyrical brushstrokes of de Kooning and the black and white compositions of Franz Kline, or the soft, connective, geometric lines of Brice Marden.”

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The artists’ love of creatures is not limited just to bunnies. He often works with a bird or two perched on his shoulder. Exotic birds also greatly inspire the artist’s work; he has a personal aviary, in which he keeps anywhere from 30 to 100 birds of various species at his Brooklyn-based studio.

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Hunt Slonem was born in Kittery, Maine in 1951; the eldest of four children. His father was a navy officer, while his mother was a homemaker who spent much of her time doing volunteer work. As a result of his father’s military career, Slonem spent much of his childhood on different military bases; living in Hawaii, Virginia, Louisiana, Connecticut, California and Washington. After completing school, which included living in Nicaragua as an exchange student at the age of 16, Slonem began his undergraduate studies at Vanderbilt University. He then spent six months of his sophomore year at the University of the Americas in San Andres Colula, Puebla, Mexico, eventually graduating with a Bachelors of Art in Painting and Art History from Tulane University in New Orleans.

During his collegiate years, Slonem attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Three years after his arrival, Slonem received a painting grant from the Elizabeth Greenshields Foundation in Montreal, Canada and began painting extensively. However, it was his time spent in Nicaragua that Slonem credits with most influencing and inspiring his work. The country’s tropical landscape has informed not only Slonem’s process, but also his need to be surrounded by the nature he paints. As Slonem’s career progressed, he became an active participant in Manhattan’s burgeoning art scene, lauded not only for his artistic talent, but for his vibrant fashion sense. He was introduced to and befriended prominent figures within the artistic community including Sylvia Miles, Truman Capote, Liza Minelli, Monique van Vooren and Andy Warhol.

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Slonem’s work is deeply rooted in the act of painting. His jarring color choices, spontaneous mark making and scratched hatch marks are the result of his ongoing fascination with the manipulation and implementation of paint. His paintings are layered with thick brushstrokes of vivid color, often cut into a cross-hatched pattern that adds texture to the overall surface of the painting. This surface patterning combines with the rich colors and recognizable subject matter to create paintings that are physically and aesthetically rich.

Slonem’s work can be found in the permanent collections of 250 museums, galleries, institutions and corporations worldwide. In 2015, Slonem moved to a new 35,000 square foot studio in Sunset Park, Brooklyn where he continues to work. He lives in Manhattan, but travels frequently to his other homes in Louisiana, upstate New York and Scranton, Pennsylvania, where he is undertaking the transformation of the historic 150,000 square foot Watres Armory into a multidisciplinary showcase for his own work, as well as for his extensive collections of art and antique furniture.

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And if you cannot create your own wall of original bunnies seen above, you can always consider using his “Bunny Wallpaper” through Groundworks for Lee Jofa.

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The creative force also has an innate talent and passion for refurbishing homes. Considering this part of his art form, Slonem has rescued, refurbished and meticulously restored a number of estates including the historic Cordts Mansion in Upstate New York and his two Southern mansions in Louisiana; Albania and Lakeside. Enhancing them with his transcendent, light infused décor, Slonem paired vintage furniture with contemporary art, including many of his own works in addition to pieces by Alex Katz and Andy Warhol. Beyond its majestic beauty, The Lakeside Plantation captured Slonem’s fascination for history. Listed in the National Register of History Places in Louisiana, it was once owned by Marquis de La Fayette whose close relationship with lifelong friends such as Thomas Jefferson, Benjamin Franklin, James Monroe, John Adams, and Robert Livingston played a pivotal role in the Louisiana Purchase. In a show of gratitude, the United States gave La Fayette the land, which is now known as Lakeside Plantation. When Slonem was young, he learned that Picasso collected chateaus, and since then always dreamed of doing something similar. Having reached that goal with these historic homes, Slonem would like for them to become part of his legacy, one day serving as study centers that can educate and inspire new generations of artists.

Slonem’s homes were the subject of an extraordinary 300 page, photography-based volume, When Art Meets Design (Assouline, 2014) A truly magical showcase of Slonem’s ability to create spectacular spaces, the book features vivid and expansive interior photography that reveals how he combines antiques, fabrics and artworks.

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Myself, Hunt Slonem and Design Pal Kathryn Dixon

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