Posts Tagged: Catherine M. Austin Interior Design


I am delighted to share this lovely article that appeared in Architectural Digest this past week about my passion for working with artists and connecting them with clients. Using original art and educating clients is a cornerstone of my design aesthetic. I am so grateful I found a profession that allows me to combine all of my desired careers (artist, art history professor, curator, and designer) into one! Thank you to Katy Olson for sharing our story and to all the artists and galleries I have had the privilege to work with over the years!


Austin works with artist Charlie Havanich, pictured here, who is represented by Hidell Brooks Gallery. “I adore Charlie and I just acquired one of his works,” Austin tells AD PRO. “The image in the picture is a commission for one of my clients that bears an uncanny resemblance to a young Jackie.” / Photography: Charle Hanavich

Cathy Austin began her career not in design, but in art, working at Sotheby’s across departments including European Porcelain, American Paintings, and American Furniture. “I assisted the experts cataloguing the works for the auctions, handling archives, client contracts, condition reports, and arranging presale exhibitions. I began as an intern and archivist and also worked as an administrator,” recalls Austin. When she transitioned into interiors, Austin kept connected to the art scene, attending shows like Maison et Objet and TEFAF—but also in a more tangible way, sourcing local Southern talent for her interior-design projects.

Austin complemented her space at a recent Traditional Home show house with a portrait, left, by artist Kate Long Stevenson and a large abstract, right, by David Paul / Photography: Dustin Peck

The designer, who tells AD PRO that she has “always been an art history student at heart,” makes it a priority to educate clients. “Since art is very subjective, I encourage my clients to collect works that they respond to emotionally. Original art elevates every interior and reflects the personalities that inhabit the space. By attending art fairs at home and abroad, I seek out emerging artists to introduce to my clients. Getting to know the artists personally and learning about their process and what inspires them is very important to me to pass along that knowledge.”

An interior by Cathy Austin with artwork by Amanda Talley, above the fireplace/ Photography: Gordon Beall

As principal of Catherine M. Austin Interior Design, of Charlotte, North Carolina, one of those talents Austin has gotten to know on a deeper level is a New Orleans–based SCAD graduate named Amanda Talley, whose work she discovered in a local showroom. “I fell in love with her abstract, gestural works and designed my first living room around one of her paintings that I did not even own…knowing that one day I would add her work to my own personal collection.” The designer-artist duo’s first commission together was for a couple who were newbies to art collecting and just beginning their collection; their second commission was for Austin’s home. For each project, Austin sends Talley “inspiration images” as well as examples of her art that Austin’s clients like. Then, Talley “takes over and works her magic! I have loved watching her style evolve, yet still being able to recognize her brushstrokes knowing it is her work.”

What should designers know about sourcing art, particularly from emerging talents? In addition to the perhaps obvious exposure (“See as much as you can. Go to as many museums, galleries, auctions, and art fairs as you can to train your eye and be exposed to what is available in the marketplace”), Austin also advises having an open mind. “Do not be intimidated by price point. Even established artists can be within reach if you look at their complete body of work, including studies and works on paper. You can research artists through wonderful websites like Artsy which can also lead to discovering new artists and art galleries. It has been thrilling to watch the careers of artists I befriended years ago soar through their values increasing and being acquired by museum collections.”

Painting by Brad Thomas through SoCoGallery / Photography by Emily Followill

Another tip? Keep your eyes peeled; sometimes discoveries unfold on one’s downtime. Austin met a valuable collaborator during a volunteer commitment with the Mint Museum in Charlotte. “I was serving as the head of the Mint Museum Auxiliary and working closely with Brad Thomas, our curator of modern and contemporary art, selecting possible acquisitions for the museum’s permanent collection that our organization would underwrite. He was already an established artist, as well as art consultant and artist mentor—but his work was taking a new direction,” she explains, which “combined mixed media, collage, and his distinctive handwriting that became abstract lines when intertwined on the canvas. The words in his works examine the influence writers have had on shaping his worldview.”

The artist’s works are now found in Austin’s collections—and in her clients’. “We recently collaborated on a work for the Atlanta Southeastern Showhouse this spring. I asked him to create a work inspired by a Southern author. He used the Flannery O’Connor quote, ‘To know oneself is, above all, to know what one lacks. It is to measure oneself against truth, and not the other way around. The first product of self-knowledge is humility.’ The abstract work was the perfect finishing touch to my bedroom, that made the space more personal and provided a contemporary juxtaposition to the more traditional elements in the room.”

And for up-and-coming artists? For their part, recommends Austin, “artists can share their portfolios with designers whose work they admire and offer to lend their work for various show houses and charity events,” says Austin. “Attending events at the major design centers and other industry events is a great way to connect with designers. Every city from Atlanta to Los Angeles now seems to have its own design week full of opportunities for networking.”

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“Art is not what you see, but what you make others see.” -Edgar Degas

I was delighted to be interviewed for this feature for QC Exclusive focusing on my love of art and how it is the starting point for all of my interiors. Thanks to the writers and editors for this lovely opportunity to share my philosophy on merging art and design… 




I recently had the pleasure to be interviewed by James Swan for his Million Dollar Decorating podcast. Any design aficionado needs to subscribe to his podcast where James entertains,educates and inspires his listeners to live a more beautiful life. He eloquently dishes on design details with the likes of interior designers from Robert Couturier and Mary Douglas Drysdale to Barry Dixon and Miles Redd.

As the first podcast devoted to the worlds of design, decorating and beautiful living James features interviews with the world’s leading designers, decorators, architects and artisans. Life-style leaders engage in unguarded conversation, reveal behind-the-scenes sources of inspiration and share stories that inspire and motivate homemakers around the world to make their home more beautiful.

James Swan is an award-winning interior designer and author. He has spent the past 18 years, crafting classically influenced interiors for homes, restaurants, hotels and retail stores. His work has been featured in House & Garden, House Beautiful, The Los Angeles Times, The Boston Globe and The Chicago Tribune and his book “101 Things I Hate About Your House” won the 2011 American Bookseller’s Award.

During the first 8 weeks the podcast consistently landed in the spot 10 Spots on ITunes New & Noteworthy list in the Arts category and in the Top 100 across all categories (and 300,000 titles) on ITunes and the numbers continue to grow every day.

Be sure to subscribe to the podcast by clicking HERE.

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Participating in the Traditional Home / Junior League of High Point Showhouse in April was one of the most gratifying experiences I have had in my career. I The creativity and camaraderie of the design community blew me away and seeing it in print brings back a flood of fond memories! We have all been anxiously awaiting the October issue to share all of our hard work for a wonderful cause…benefiting the Junior League’s community programming for High Point. Thank you to all of the gracious editors at Traditional Home, the countless volunteers from the Junior League and the amazing sponsors that brought our visions to life! Click here to read the full story and see the complete portfolio of images.

I want to especially thank Bernhardt Furniture, Stanton Carpet, Made Goods, Circa Lighting, Pratt & Lambert, Addison Weeks, and Hidell Brooks Gallery that loaned and donated pieces for the space.



The final stop on the second floor is Cathy Austin’s beautiful daughter’s bedroom. Blessed with great bones—note the 10 1/2-foot ceilings and swoonworthy windows—the space is impeccably tailored from head to toe. Shaped valances mimic the Moroccan scalloping on the patterned headboard.


Circa Lighting’s brass orb chandelier and the pillows’ chopstick monogram reiterate the room’s Eastern influence. Overhead, Pratt & Lambert’s pale-pink paint in high-gloss finish complements the vintage Murano glass lamp on the bedside table. A tufted-velvet bench with Lucite legs and an antique English settee updated in sumptuous animal print round out the dazzling sanctuary.

There’s a lot to love in these beautiful showhouse bedrooms…click on the image below for a video tour of the spaces.


Interior designer: Cathy Austin, Catherine M. Austin Interior Design, 3300 Stanwyck Court, Charlotte, NC 28211; 704/517-8622,


Winter 2015 012


I envisioned my “imaginary” client as the sophisticated daughter of the family. She is well-travelled, artistic, and likes a modern, yet glamourous room that still reflects her Southern roots. A portrait by favorite artist, Kate Long Stevenson, (from Hidell Brooks Gallery) became my muse for the project. I had her in mind whenever I was making decisions for the space. The portrait and the large vintage abstract provided the color palette that inspired the design scheme. The room is a blend of unique pieces from High Point based craftsmen along with a collection from her travels around the world. A Moroccan inspired headboard, Murano glass lamps, original modern art, bespoke linens, dressmaker detailed drapery, and glamorous materials such as shagreen, agate, brass, and velvet add to the feminine mystique of the space. I indulged myself with an “imaginary” trip around the world for inspiration for the space…from the palaces of Morocco and India to the Murano glass factories and sunsets on the Nayarit Riviera.








Playing with scale and color to find the best vignette.Painting by Alexis Walter , Accessories from Made Goods, Necklaces from Janet Gregg and Candyshop Vintage


Installation: Day One with Libby Langdon and Lisa Mende


A few of my favroite things…Louise Gaskill vintage Murano Glass lamp, Addison Weeks brass turtle, Made Goods linen wrapped box , and Bernard Segal watercolor from 214 Modern Vintage


Amethyst color blocking atop Bernhardt’s sleek Jet Set brass etagere


Ombre ranunculus by John Lupton


Press preview with Kara Cox, Libby Langdon, Leslie Moore, Mickey Sharpe, and Christine Barbour


Channelling our “imaginary client” with the lovely Kara Cox


Thinking Pink: Opening Gala with Meg Braff



  • Wall paint (“Pavanne” #25-26); trim paint (“Ancestral” 320-1); ceiling paint (“Coy Pink” #3-28): Pratt & Lambert,
  • Chandelier (“Ceiling Light” #ARN5002, by Aerin): Circa Lighting,
  • Area rug (“Addison”/Headwind #69619): Stanton,
  • Headboard; settee (antique); bench (designed by Cathy Austin): Catherine M. Austin Interior Design,
  • Headboard and dust ruffle fabric (Jaipur”/Pastel #34455-2); settee fabric (“Okapi”/Red #34705-3): Clarence House,
  • Bed linens (Ivory Birdseye with Blush Linen); monogram (“Chopstick”): Leontine Linens,
  • Drapery, pillow (“Principal” #54357-14): fabricut,
  • Drapery banding (“Mondo”/Zephyr); settee pillow (“Bistro”/Cloud): Norbar Fabrics,
  • Settee pillow applique (“Madame Wu”/Cream): Schumacher,
  • Bench fabric (linen velvet): Brunschwig & Fils,
  • Nightstand (“Salon Nightstand” #341-216): Bernhardt,
  • Etagere (“Jet Set Entrtainment Pier”): Bernhardt,
  • Nightstand lamp: Louise Gaskill Co.,
  • Vanity: Barbara Barry for Henredon,
  • Vanity Chair: Cassandra by Celerie Kemble for Henredon,
  • Vanity lamps: (Bristol Table lamps by Aerin): Circa Lighting,
  • Yarn painted Huichol skull: Evoke the Spirit,
  • Chair fabric: (Versailles velvet # E29606): Kravet,
  • Watercolor by nightstand (by Bernard Segal): Gillian Bryce/214 Modern Vintage,
  • Portrait: Kate Long Stevenson, Hidell Brooks Gallery,
  • Garden Seat, Obelisks, Sculpture, Boxes, Ceramic Figure: Made Goods,
  • Flowers: John Lupton
  • Drapery: Custom Window Treatment
  • Upholstery: Cornerstone Upholstery
  • Photography: Dustin Peck

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