Posts Tagged: Bernard Segal


“The details are not the details.  They make the design.”- Charles Eamesvegas

I am obsessed with details. Finishing touches such as the trim on a drapery panel to how a work of art is framed can make or break the overall design. As a self professed art addict, I especially love working with clients, artists and my local framer to showcase the works of art to make them shine.

Later this month, I head to Las Vegas (my virgin voyage!) to attend the West Coast Art & Frame Expo as part of a Design Blogger Tour organized by Steve and Jill McKenzie.  We will be seeing the latest and greatest introductions in framing as well as a variety of new forms of art reproduction.

See below for some works from my personal collection and client portfolio on how the variety of framing elevates the art.


A client’s colorful interior in Birmingham features large-scale works on paper by Windy O’Connor. The champagne toned metal frame pulls out the brushstrokes in the painting and still anchors the space. Dark oil rubbed bronze picture lights tie in with the stair rail and door hardware. A bold 19th century rug brings out the orange in the paintings and introduces the palette for the house.


In my library, a commission by Favorite artist Amanda Talley through Hidell Brooks Gallery provides a a focal point for the fireplace wall. A dark floater frame punctuates the darker strokes in the painting.  The interior of the bookcases are painted to repeat this color.


This is the beginning of a gallery wall in my living room.  A variety of watercolors and small paintings collected from our travels tells the story of our treasured memories. The wall has grown and been rearranged to include other paintings seen here…


A contemporary collageby Brad Thomas is placed in a gilded frame with a block motif to play off of the curves in the artwork. The work is floating on a linen mat in order the appreciate the intricate detailing and writing along the edges of the work.


Several of my favorite works have been found through Gillian Bryce who shows at 214 Modern Vintage in High Point as well as Scott’s Antique Market in Atlanta. This oil painting by Bernard Segal is in a vintage gilt frame and enhanced with a linen mat and fillet to make the work larger. The empty space of the linen mat gives the viewer a chance to appreciate the small compact bursts of color in the painting.


Another work by Bernard Segal, this is one of a pair of watercolors. I framed the works in a simple gold frame which pulls out the gold in the painting and floated them on a linen mat in order to appreciate the deckled edge of the paper.


A “pile” by Selena Beaudry (also through Hidell Brooks) is floating on a white backdrop and framed in a deep modern white frame giving the work a shadowbox effect.  Our dirty pink entry hall walls enhance the pinks found in the watercolor.


One of my prized possession is an interior rendering by the Dean of American Design, Albert Hadley.  A charcoal mat enhanced his pencil rendering and make it extra special.


I found this abstract encaustic at the Marche Biron in Paris. Maurice Morel came to Paris in 1927 to pursue his double vocation of artist and priest. He found a mentor in Artist-Poet Max Jacob, a Jewish convert to Catholicism, who was a close friend of Pablo Picasso and other artistic-literary notables of the period. In 1933, Morel helped stage a ground-breaking sacred art exhibition, Art Moderne d’inspiration religieuse, which included works by Picasso, Andre Derain, Tsuguhara Foujita, and Georges Rouault, who would become the priest’s lifelong friend and supporter. I fell in love not only with the work, but in the way it was framed….a frame within a frame. An ingenious way to add importance to a special work.

The starting point for the entire design scheme was this pastel confection by Kate Long Stevenson at the beloved “Pink House,” a center for breast cancer survivors herein Charlotte. She donated the work in honor of her friend. Again, we used a floater frame to set off the painting from the brick backdrop while pulling out some of the darker tones in the painting.


Be sure to follow along as we take in the sights of Vegas with my fellow design blogtour pals… Holly Phillips of The English Room, Tami Ramsay and Krista Nye Schwartz of Cloth & Kind and Vicki Bolick of The Ace of Space. We cannot wait!

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Participating in the Traditional Home / Junior League of High Point Showhouse in April was one of the most gratifying experiences I have had in my career. I The creativity and camaraderie of the design community blew me away and seeing it in print brings back a flood of fond memories! We have all been anxiously awaiting the October issue to share all of our hard work for a wonderful cause…benefiting the Junior League’s community programming for High Point. Thank you to all of the gracious editors at Traditional Home, the countless volunteers from the Junior League and the amazing sponsors that brought our visions to life! Click here to read the full story and see the complete portfolio of images.

I want to especially thank Bernhardt Furniture, Stanton Carpet, Made Goods, Circa Lighting, Pratt & Lambert, Addison Weeks, and Hidell Brooks Gallery that loaned and donated pieces for the space.



The final stop on the second floor is Cathy Austin’s beautiful daughter’s bedroom. Blessed with great bones—note the 10 1/2-foot ceilings and swoonworthy windows—the space is impeccably tailored from head to toe. Shaped valances mimic the Moroccan scalloping on the patterned headboard.


Circa Lighting’s brass orb chandelier and the pillows’ chopstick monogram reiterate the room’s Eastern influence. Overhead, Pratt & Lambert’s pale-pink paint in high-gloss finish complements the vintage Murano glass lamp on the bedside table. A tufted-velvet bench with Lucite legs and an antique English settee updated in sumptuous animal print round out the dazzling sanctuary.

There’s a lot to love in these beautiful showhouse bedrooms…click on the image below for a video tour of the spaces.


Interior designer: Cathy Austin, Catherine M. Austin Interior Design, 3300 Stanwyck Court, Charlotte, NC 28211; 704/517-8622,


Winter 2015 012


I envisioned my “imaginary” client as the sophisticated daughter of the family. She is well-travelled, artistic, and likes a modern, yet glamourous room that still reflects her Southern roots. A portrait by favorite artist, Kate Long Stevenson, (from Hidell Brooks Gallery) became my muse for the project. I had her in mind whenever I was making decisions for the space. The portrait and the large vintage abstract provided the color palette that inspired the design scheme. The room is a blend of unique pieces from High Point based craftsmen along with a collection from her travels around the world. A Moroccan inspired headboard, Murano glass lamps, original modern art, bespoke linens, dressmaker detailed drapery, and glamorous materials such as shagreen, agate, brass, and velvet add to the feminine mystique of the space. I indulged myself with an “imaginary” trip around the world for inspiration for the space…from the palaces of Morocco and India to the Murano glass factories and sunsets on the Nayarit Riviera.








Playing with scale and color to find the best vignette.Painting by Alexis Walter , Accessories from Made Goods, Necklaces from Janet Gregg and Candyshop Vintage


Installation: Day One with Libby Langdon and Lisa Mende


A few of my favroite things…Louise Gaskill vintage Murano Glass lamp, Addison Weeks brass turtle, Made Goods linen wrapped box , and Bernard Segal watercolor from 214 Modern Vintage


Amethyst color blocking atop Bernhardt’s sleek Jet Set brass etagere


Ombre ranunculus by John Lupton


Press preview with Kara Cox, Libby Langdon, Leslie Moore, Mickey Sharpe, and Christine Barbour


Channelling our “imaginary client” with the lovely Kara Cox


Thinking Pink: Opening Gala with Meg Braff



  • Wall paint (“Pavanne” #25-26); trim paint (“Ancestral” 320-1); ceiling paint (“Coy Pink” #3-28): Pratt & Lambert,
  • Chandelier (“Ceiling Light” #ARN5002, by Aerin): Circa Lighting,
  • Area rug (“Addison”/Headwind #69619): Stanton,
  • Headboard; settee (antique); bench (designed by Cathy Austin): Catherine M. Austin Interior Design,
  • Headboard and dust ruffle fabric (Jaipur”/Pastel #34455-2); settee fabric (“Okapi”/Red #34705-3): Clarence House,
  • Bed linens (Ivory Birdseye with Blush Linen); monogram (“Chopstick”): Leontine Linens,
  • Drapery, pillow (“Principal” #54357-14): fabricut,
  • Drapery banding (“Mondo”/Zephyr); settee pillow (“Bistro”/Cloud): Norbar Fabrics,
  • Settee pillow applique (“Madame Wu”/Cream): Schumacher,
  • Bench fabric (linen velvet): Brunschwig & Fils,
  • Nightstand (“Salon Nightstand” #341-216): Bernhardt,
  • Etagere (“Jet Set Entrtainment Pier”): Bernhardt,
  • Nightstand lamp: Louise Gaskill Co.,
  • Vanity: Barbara Barry for Henredon,
  • Vanity Chair: Cassandra by Celerie Kemble for Henredon,
  • Vanity lamps: (Bristol Table lamps by Aerin): Circa Lighting,
  • Yarn painted Huichol skull: Evoke the Spirit,
  • Chair fabric: (Versailles velvet # E29606): Kravet,
  • Watercolor by nightstand (by Bernard Segal): Gillian Bryce/214 Modern Vintage,
  • Portrait: Kate Long Stevenson, Hidell Brooks Gallery,
  • Garden Seat, Obelisks, Sculpture, Boxes, Ceramic Figure: Made Goods,
  • Flowers: John Lupton
  • Drapery: Custom Window Treatment
  • Upholstery: Cornerstone Upholstery
  • Photography: Dustin Peck

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