LA LOVE: DAY 2
A trip to Los Angeles is not complete without a visit to The Getty Center which is truly heaven on earth. It is rare when a highly anticipated experience actually exceeds one’s expectations and the museum did just that!
|Aerial View of The Getty Center
Photo courtesy of The Getty
J. Paul Getty viewed art as a civilizing influence in society and strongly believed in making art available to the public for its education and enjoyment. He established his own museum to provide public access to his personal collection out of a small ranch house in Malibu in 1954. At that time, the collection was comprised of Greek and Roman Antiquities, 18th century French furniture, and European paintings. Mr. Getty passed away in 1976 and this personal estate passed to the Trust in 1982.
|The Getty Center Entrance|
His lifetime of philanthropy enabled the construction of the Getty Villa in Pacific Palisades and the Getty Center seen here. The Getty Center incorporates the modern design of Richard Meier with stunning gardens and sweeping views of Los Angeles. The hilltop setting is comprised of 110 acres and contains 1.2 million square feet of Italian travertine. Meier chose this material because it represents the qualities the Getty celebrates: permanence, solidity, simplicity, warmth and craftsmanship. The curved lines of the architecture contrast with the natural grid the travertine blocks create.
|The Getty Villa
Here are a few highlights from our morning at The Getty Center…
|Mural by Jackson Pollack, 1943
Oil and casein on canvas
The above painting by Jackson Pollack will be getting an entire blog post due to its fascinating history. It has been undergoing a meticulous restoration at the Getty and this is the first time its has been seen by the public. It is considered one of the most iconic works of the 20th century.
|Irises, by Vincent Van Gogh, 1889
Oil on canvas
It is hard to believe Van Gogh painted this masterpiece when he was recuperating from a severe attack of mental illness. Its theme of the healing powers of the earth expresses the artist’s deeply personal belief about the divinity of art and nature.
|Dancer Taking Bow (The Star) by Edgar Degas, 1877
Pastel and gouache on paper
This work by Degas was revolutionary at the time for his new methods in working with pastels. He combined gouache with pastel and experimented with stumping and moistening the pastels to achieve textures and unusual effects.
|Detail of Spring by Lawrence Alma-Tadema, 1894
Oil on Canvas
|Rembrandt Laughing by Rembrandt, 1628
Oil on copper
| Detail: Fruit Piece by Jan van Huysum, 1722
Oil on panel
A detail from this Dutch still life shows the realism of the Dutch old masters combined with the bright colors of the Rococo style of the 1700s. The artist would not let anyone visit his studio for fear they would learn his technical secrets and copy his work.
|In front of Marino Marini’s Horseman|
|The Cactus Garden on the South Promontory|
The central garden was created by Robert Irwin and is a revolving work of art.There are more than 500 varieties of plant material used in the landscaping.
All materials were selected to accentuate the play of light, color and reflection. Irwin’s statement, “Always changing, never twice the same” is carved into the plaza floor.
|Bronze Form by Henry Moore, 1985|
|Alfresco Seaside Lunch at Nobu|
After our fabulous day at the Getty and jaunt to Malibu, we convened with the rest of our Design Trust group to take in more sites. The camaraderie of the group is unlike any professional group I have experienced. Every designer is so willing to share their experiences (both good and bad) to enable everyone else to run a successful design practice and fuel their creative energy. Our official program began with a picnic overlooking the LA skyline from high atop Elysian Park.
|View from our Picnic Dinner in Elysian Park|
Another delightful ending to a perfect day was a visit to the Griffith Observatory, the spectacular landmark high above Los Angeles offering unparalleled views of the city.
|Bright Lights, Big City
View from the Griffith Observatory
The days kept getting better and better and LCDQ had not yet begun!